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"For Pariah we were looking for something that would match the feeling of the storyline and characters in the game, futuristic but relatable and above all memorable. Tim Larkin’s talent is impressive and his music style really fit with the overarching themes in Pariah, mystery and action"
    --James Shmaltz-Founder & Creative Director
      Digital Extremes
     

"Tim I just got to hear your work on the URU sound track and it was amazing. Both hauntingly beautiful and extremely visual. Nothing inspires me more than music that creates it's own imagery. You've done it again. I can't wait for our next chance to work together.
Your friend, Eric."
    --Eric Armstrong-Academy Award winning Director
      The ChubbChubbs

"That's the wonderful thing about working with someone like Tim. He always brings more to table than expected. In this new Robota teaser for example, I remember the first time I heard Tim's sound design with the visuals - suddenly these robots were alive. That was very cool. All the nuances that Tim put in added so much dimension and life and character to the animation.
Cheers, Doug "
    --Doug Chiang- Polar Express, Art Director
    Star Wars Episode I and II, Robota

"‘Uru Music’ is another great example of how the scores for games are becoming more original and groundbreaking each year."
    --Music From The Movies

"Uru is quite possibly one of the best-sounding games I have ever played. The music, voice acting and sound effects all add immensely to creating the believable and immersive atmosphere that Myst games hinge on. If there is an equivalent of an Oscar for sound design in a game, the folks at Cyan's sound department are a shoe-in for a boat load of awards. Every sound is so rich and lifelike that you happily drown yourself in them."
    --Gamerankings.com